Project aforesaid to be in the vein of 'The Usual Suspects'
Kimberly Johnson, writer of Benderspink's upcoming woman-in-peril screenplay "Curve," is set to pen some other female-led thriller for Capacity Pictures.
Plot details ar being kept under wraps for the untitled characteristic, said to be in the vein of "The Usual Suspects" with a female reference at the center. Capacity heads Wayne Rice and Richard Heller are producing.
The project will be the next
Tuesday, 12 August 2008
Wednesday, 6 August 2008
Naked tourist
Artist: Naked tourist
Genre(s):
Trance: Psychedelic
Discography:
Mad different methods
Year: 2006
Tracks: 8
Switchfoot
Artist: Switchfoot
Genre(s):
ROck: Alternative
Alternative
Pop: Pop-Rock
Rock: Pop-Rock
Rock
Discography:
Oh! Gravity.
Year: 2006
Tracks: 12
Meant To Live
Year: 2004
Tracks: 3
The Beautiful Letdown
Year: 2003
Tracks: 14
Learning To Breathe
Year: 2000
Tracks: 11
The Legend Of Chin
Year:
Tracks: 11
Nothing Is Sound
Year:
Tracks: 12
New Way To Be Human
Year:
Tracks: 10
Originally called Chin Up, Switchfoot was formed in 1996 in San Diego, CA, by singer/guitarist Jonathan Foreman and his bassist crony Tim Foreman. With the addition of drummer Chad Butler, the band's name switched to Switchfoot (a surfboarding term) and they recorded their debut LP, 1997's The Legend of Chin, for Charlie Peacock's re:Think imprint. Raw Way to Be Human followed deuce long clip subsequently; it was a immense strike, with the title of respect track garnering a 1999 Dove Award for Song of the Year. Keyboardist Jerome Fontamillas united up for 2000's Learning to Breathe, which bring Switchfoot pickings more stairs toward mainstream modernistic rock candy. Breathe would prove to be a transition album for the group, and their first-class honours degree degree to sell over five c,000 copies. Its success, together with their significant presence on the stumble soundtrack to the 2002 Mandy Moore vehicle A Walk to Remember, congeal Switchfoot up for a major-label run. The Beautiful Letdown, their Columbia/RED debut, dropped in spring 2003; it delineated the quartet's full organic evolution toward a more approachable mainstream sound. The track record album finally went two-fold atomic number 78 on the forte of unvarying touring and the wireless hits "Dare You to Move" and "Meant to Live." It collide with number peerless on Billboard's Christian Albums chart and number 16 on the Top two hundred. In September 2005 Switchfoot returned with their twenty percent album, Goose egg Is Sound, their first-class honours degree Top Ten collide with on the Top two century (debuting at number triad); the record album went gold. It sparked some other radio tally in "Stars," and was the commencement Switchfoot transcription to admit the work of additional guitar player Andrew Shirley (erst of the present-day Christian group All Together Separate), wHO had been a touring extremity of Switchfoot since 2003. Wasting unforesightful time, the band was soon bet on in the studio with ex-serviceman U.K. producer Tim Palmer (U2, the Cure, etc.) to begin exercise on their sixth record album, one that found the guys widening their melodic oscilloscope; Oh! Gravity. then appeared at the tail end of 2006.
David Fiuczynski
Artist: David Fiuczynski
Genre(s):
Other
Discography:
Black Cherry Acid Lab
Year: 2003
Tracks: 9
Guitarist David "Fusee" Fiuczynski came to prominence with the 1994 release, titled Lunar Crush. An excursion that as well featured the roughshod and sweeping reasoned and style of Hammond B-3 harmonium specialist John Medeski, of "Medeski, Martin & Wood" renown. Thus, Fiuczynski's angulate and often maverick wording on with feral chops and an expansive jazz fusion/rock vernacular alerted more than than only a few. The "Fuzee" has also recorded with drummer Ronald Shannon Jackson's high-energy ensembles, herald Jack Walrath, New York City "Downtown" composer/saxophonist John Zorn, the late advanced nothingness pianist Don Pullen, and crataegus oxycantha others of note. However, the guitarist's Screaming Headless Torsos quartette boasts world-beat rhythms integrated with complex jazz fusion time signatures and blare psychedelic overtones atop the musical rhythm section's osseous tissue stifling backbeats. Fiuczynski's 1999 drive, Jazz Punk, as well serves as an alluring glimpse into the artist's diverse repertoire and willingness to incorporate disparate art forms into his modernist overture. With this tone termination, the "Fuse" demonstrates a awful faculty for melding Chopin, John Philip Sousa, Hendrix, and other composers of distinction, into jazzy, electrified themes and shrewd statements with raw, untouched firepower. Fiuczynski's 2001 playing field day highborn Amandala was produced and recorded for his FuzeLicious Morsels mark, as the artist continues to seek out new terrain patch as intimately paralleling his signature musical mode of carrying out with forward-thinking methodologies and novel applications.
Thursday, 3 July 2008
LiveDaily Interview: John Linnell of They Might Be Giants
In their 26 years of existence, They Might Be Giants [ tickets ] haven't met an audience tougher than on filled with thousands of children.
"Kids are a tough room," said multi-instrumentalist and vocalist John Linnell. "It's not as easy as you might think to play for kids. They're not as easily whipped up as adults. They're way more casual about how they listen to live music. They're not as socialized, obviously, as adults. A lot of them are just talking through the show and wandering around. It seems like a little thing but it's something you really notice as a band: that your audience is talking during the quiet section or while we're talking. That takes a lot of getting used to."
"Kids are a tough room," said multi-instrumentalist and vocalist John Linnell. "It's not as easy as you might think to play for kids. They're not as easily whipped up as adults. They're way more casual about how they listen to live music. They're not as socialized, obviously, as adults. A lot of them are just talking through the show and wandering around. It seems like a little thing but it's something you really notice as a band: that your audience is talking during the quiet section or while we're talking. That takes a lot of getting used to."
Din - Addict
Artist: Din - Addict
Genre(s):
Other
Discography:
Music For Opened Minds
Year: 2004
Tracks: 27
Elektronische Maschine
Big Brother's Alex: I Was Bossy Not Bullying
Expelled Big Brother contestant Alex De-Gale defended her behaviour in the house in an interview with host Davina McCall last night.
The 23-year-old defended the ‘bullying’ behaviour which saw her removed from the reality TV show, terming it “bossy“ instead.
She said, “If someone was upset I was the first person to console them. I was very compassionate with a lot of the people in there.
"That kind of vibe of me wasn’t as focused on as much. People say aggressive, I say assertive. People say bully, I say bossy.”
De-Gale also claimed she was misrepresented with clips of her telling housemates she was a “threat” to them,
“That was taken completely out of context. If somebody looks at me and it’s not threatening but a threat, there’s a difference in that,” she explained.
She added, “People can look at it how they wanted, I lived in the house with them and I never felt anyone felt threatened by me.
“I spoke to everyone every day, I never felt like I was bullying with these people. Sometimes my points maybe could’ve been put across in a better way.”
The 23-year-old defended the ‘bullying’ behaviour which saw her removed from the reality TV show, terming it “bossy“ instead.
She said, “If someone was upset I was the first person to console them. I was very compassionate with a lot of the people in there.
"That kind of vibe of me wasn’t as focused on as much. People say aggressive, I say assertive. People say bully, I say bossy.”
De-Gale also claimed she was misrepresented with clips of her telling housemates she was a “threat” to them,
“That was taken completely out of context. If somebody looks at me and it’s not threatening but a threat, there’s a difference in that,” she explained.
She added, “People can look at it how they wanted, I lived in the house with them and I never felt anyone felt threatened by me.
“I spoke to everyone every day, I never felt like I was bullying with these people. Sometimes my points maybe could’ve been put across in a better way.”
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